Waast Library | Bibliothèque de la Fatad
Accueil
Détail de l'auteur
Auteur Richard DeLone
(1928-)
|
Documents disponibles écrits par cet auteur (3)
trié(s) par (Pertinence décroissant(e), Titre croissant(e)) Ajouter le résultat dans votre panier Affiner la recherche
Réservation
Réserver ce document
Exemplaires (1)
|
| 100038421 | MT 6.W6 I58 1976 | Book | Bibliothèque principale | English Books | Disponible |
Aucun avis, veuillez vous identifier pour ajouter le vôtre !
Réservation
Réserver ce document
Exemplaires (1)
|
| 100037969 | MT 6 .C49 I5 1975 | Book | Bibliothèque principale | English Books | Disponible |
Aucun avis, veuillez vous identifier pour ajouter le vôtre !
| Titre : |
Materials and structure of music |
| Type de document : |
texte imprimé |
| Auteurs : |
William Christ, Auteur ; Richard DeLone (1928-), Auteur ; Vernon L Kliewer, Auteur |
| Editeur : |
Englewood Cliffs, New Jersey : Prentice Hall |
| Année de publication : |
c1968 |
| Importance : |
xiv, 485 p. |
| Présentation : |
music |
| Format : |
25 cm |
| Langues : |
Anglais (eng) |
| Catégories : |
Music theory
|
| Index. décimale : |
MT 6 .M347 |
| Note de contenu : |
V. 1. Basic properties and notation of tone --
Tonality --
Key, mode, and scale --
Melodic cadences --
Formal characteristics of melody: the motive and phrase --
The extended meilody --
Basic melody --
Melody: elaboration --
Two-voice combinations --
Two-voice combinations: decorative pitches --
Continuation of two-voice combinations --
Conclusion of two-voice combinations --
Three-voice combinations --
Chord structure --
Conclusion of three-voice combinations --
Homophonic textures of four voices: non-chord voices --
Tonic, dominant, and subddominant chords in root position and first inversion: dominant seventh chord --
Inversions of the dominant seventh: harmonic rhythm --
Second-inversion triads --
Ternary form: the supertonic chord --
Submediant and mediant chords: chord relationships --
Through-composed form: mutated chords, harmonic sequence --
Binary form --
Secondary dominants --
Conclusion of secondary dominants --
Tonality changes --
Procedures of tonality change. V. 2. Tonality schemes and form --
Rondo form --
Diatonic seventh chords (nondominant) --
Diatonic seventh chords (continued) --Embellishing diminished chords --
Thematic development in two-voice counter-point --
Cantus firmus technique: the chorale prelude --
The Neapolitan chord --
Augmented sixth chords --
Variation forms --
Fugue --
Further details of Fugue --
Introduction to sonata-allegro form --
Further study of sonata-allegro form --
Ninth chords --
Eleventh and thirteenth chords --
The enriched tonal spectrum --
Variability of tonality and exploration of new key schemes --
Impressionism --
Impressionism (continued) --
Twenth-Century melody --
Twentieth-Century harmony --Tonality in Twentieth-Century music --
Twentieth-Century formal processes --
Glossary. |
Materials and structure of music [texte imprimé] / William Christ, Auteur ; Richard DeLone (1928-), Auteur ; Vernon L Kliewer, Auteur . - Englewood Cliffs, New Jersey : Prentice Hall, c1968 . - xiv, 485 p. : music ; 25 cm. Langues : Anglais ( eng)
| Catégories : |
Music theory
|
| Index. décimale : |
MT 6 .M347 |
| Note de contenu : |
V. 1. Basic properties and notation of tone --
Tonality --
Key, mode, and scale --
Melodic cadences --
Formal characteristics of melody: the motive and phrase --
The extended meilody --
Basic melody --
Melody: elaboration --
Two-voice combinations --
Two-voice combinations: decorative pitches --
Continuation of two-voice combinations --
Conclusion of two-voice combinations --
Three-voice combinations --
Chord structure --
Conclusion of three-voice combinations --
Homophonic textures of four voices: non-chord voices --
Tonic, dominant, and subddominant chords in root position and first inversion: dominant seventh chord --
Inversions of the dominant seventh: harmonic rhythm --
Second-inversion triads --
Ternary form: the supertonic chord --
Submediant and mediant chords: chord relationships --
Through-composed form: mutated chords, harmonic sequence --
Binary form --
Secondary dominants --
Conclusion of secondary dominants --
Tonality changes --
Procedures of tonality change. V. 2. Tonality schemes and form --
Rondo form --
Diatonic seventh chords (nondominant) --
Diatonic seventh chords (continued) --Embellishing diminished chords --
Thematic development in two-voice counter-point --
Cantus firmus technique: the chorale prelude --
The Neapolitan chord --
Augmented sixth chords --
Variation forms --
Fugue --
Further details of Fugue --
Introduction to sonata-allegro form --
Further study of sonata-allegro form --
Ninth chords --
Eleventh and thirteenth chords --
The enriched tonal spectrum --
Variability of tonality and exploration of new key schemes --
Impressionism --
Impressionism (continued) --
Twenth-Century melody --
Twentieth-Century harmony --Tonality in Twentieth-Century music --
Twentieth-Century formal processes --
Glossary. |
|
Réservation
Réserver ce document
Exemplaires (4)
|
| 100037205 | MT 6 .M347 1966 Vol.1 | Book | Bibliothèque principale | English Books | Disponible |
| 100037104 | MT 6 .M347 1966 Vol.2 | Book | Bibliothèque principale | English Books | Disponible |
| 100037102 | MT 6 .M347 1966 WB Vol.1 | Book | Bibliothèque principale | English Books | Disponible |
| 100037101 | MT 6 .M347 1966 WB Vol.2 | Book | Bibliothèque principale | English Books | Disponible |
Aucun avis, veuillez vous identifier pour ajouter le vôtre !
